It is a delicious moment,
The sun burning deeply,
Her skin starts to fry.
She gathers her senses,
Surrounded by life.
When death beckons shyly,
She submits to his knife.
It’s only a metaphor,
We grow and we die,
And laugh at the Present,
The Goddess on High.
She sat by the river,
Singing to water birds,
And frogs in the slime.
Distant places alive in her mind.
It’s not so hard, called the grasses wild,
You’re rooted to earth,
This isn’t your fault.
It’s a breathing, crumbling, uplifting result.
Her thoughts began shifting,
She rustled her leaves.
Wind carried her desires,
And soon there was peace.
The elements colluded,
Earth, water, air and fire.
She picked up her roots,
And flew to the sky.
There is nothing here but this piano and an odd odour left by the past inhabitants. I have escaped from my prison and I play like a mad woman. Silence shatters on solid floor. Light breaks on fragile skin. I am ready to penetrate the abyss and enter your world. It matters not if this is present, future or past.
Each stone has a story
And I am blown away by them all
I have no idea if the French Consulate will approve my long-stay visa, apart from an inkling that the rendezvous was positive. In a reckless sort of way, I’ve been preparing to leave anyway. At least for three months. If my application pleases the administration I’m off for a year, with the option to renew. Holy shit! there’s a mountain of ends to tie off.
Being a visual artist is heart-poundingly beautiful. I spend my days soaking up images then pouring my passion onto canvas, computers and sketchbooks. I get to run around in the forest, chase clouds down the coast and occasionally throw my clothes to the wind. But there are some drawbacks. Stuff. The walls are disappearing behind mountains of artwork. Fortunately my housemates are tolerant.
I was dreaming up possibilities for art shows when there was a loud knock at the door. I assumed it was another parcel for New Housemate but the floppy plastic envelope looked oddly familiar. It was only a week since my interview in Sydney and I expected to wait two months. Was this a quick refusal or the long-awaited ticket to Europe? I opened it up… and I haven’t stopped smiling!
PS I really do need to move my paintings. Stay tuned.
I am the muse, the photographer.and the scribe.
Which came first? A reasonable question.
The answer remains mysterious.
Ethereal as the twisted trees in a silent forest.
Shadowy as a room painted with sunlight.
Fluid as a heartbeat felt beneath my naked breast.
I’ve been working on this project for a couple of years now and excited about it’s birth into the world!