I’d rather climb a Tree

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Looking for an apparently non-existant office supplies outlet in the lunchtime rush-hour is a surreal moment when there’s a visa application to complete. It was already ten past noon and I still needed more documents downloaded and copied. The shop was no-where in sight so I needed to find my bank. It was blocks away but at least certain to deliver what I needed. The visa officer had kindly frozen my paperwork until 12.20 when the office would close. I couldn’t freeze now, this was my last chance to complete the task or wait for another month until the next available appointment. Adrenalin kicked in.

It was 12.18 when I slid the documents under the plate glass window. The officer smiled at my dishevelled appearance and added the papers to the pile. I’m still not sure how I managed to run those city blocks, get my statements printed, stamped and signed before reaching the office two minutes before closing time. Note to self: climbing the bureaucracy tree was a high but really, I’d rather be in a forest.

One drip at a time

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My resolve didn’t waver. I want to get back to Europe, in spite of the ocean paradise I’ll leave behind in Australia.

 It was now 11.55am and the consulat general’s office closed at 12.20. I wasn’t about to wait another month for a new appointment so I firmly grasped the paperwork and rushed out the door with directions to find a Justice of the Peace and an office supply outlet. The elevator plummeted 26 floors to ground zero.

By the time I reached the pharmacy, it was was close to 12 noon. This lead turned out to be futile but the woman kindly suggested that I might find a JP in the tall building with the revolving doors. So I retraced my steps. I found a chartered accountant on the fifteenth floor. He was busy but I wasn’t deterred. Pleading has it’s place. By 12.05 I was out of there and hit the pavement running. I still needed updated bank statements. I had fifteen minutes left.

One drip at a time. Will it all fall into place?

An artist’s life

It was a good photoshoot. We hid the torn denim shorts that I thought were cool. Francesca, like so many women, preferred to keep her thighs under wraps. I believe that I nailed her vanity, her insecurity and her strength. This friendship was uniquely ours. Not to be repeated or understood. We came from very different backgrounds. Me, the wild Aussie girl. She, the American lost in France. We painted our world with ambition. Shared artistic passion was our glue. It didn’t make sense when Francesca wrote from her hospital bed. It didn’t make sense when she died. I only knew her full of life.

http://www.petroldesign.co.uk/spille_web/home.html

https://www.saatchiart.com/fspille

https://www.artslant.com/global/artists/show/92929-francesca-spille

The Flesh and Bones

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I am the muse, the photographer.and the scribe.

Which came first? A reasonable question.

The answer remains mysterious.

Ethereal as the twisted trees in a silent forest.

Shadowy as a room painted with sunlight.

Fluid as a heartbeat felt beneath my naked breast.

 

I’ve been working on this project for a couple of years now and excited about it’s birth into the world!

Sweating Survival Day

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Another year has gone by and still there is no treaty for the indigenous peoples of Australia. So we march again. From the makeshift aboriginal tent embassy, ‘illegally’ planted 44 years ago in front of the former Parliament House, to the present seat of Parliament. I’m sweating, not only because it is a searing Summer day, but because we cross the police line and front the seat of power. It’s nothing new, but this time I’m thinking about the police report required to complete my visa application. Of course this is small fry compared to accounts of aboriginal deaths in custody and the institutionalised racism that the loud speakers aim at the bullet-proof doors. All the same, authority prevails and making waves is a risk. But so is life and upholding ones ethics is worth it.

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