I have no idea if the French Consulate will approve my long-stay visa, apart from an inkling that the rendezvous was positive. In a reckless sort of way, I’ve been preparing to leave anyway. At least for three months. If my application pleases the administration I’m off for a year, with the option to renew. Holy shit! there’s a mountain of ends to tie off.
Being a visual artist is heart-poundingly beautiful. I spend my days soaking up images then pouring my passion onto canvas, computers and sketchbooks. I get to run around in the forest, chase clouds down the coast and occasionally throw my clothes to the wind. But there are some drawbacks. Stuff. The walls are disappearing behind mountains of artwork. Fortunately my housemates are tolerant.
I was dreaming up possibilities for art shows when there was a loud knock at the door. I assumed it was another parcel for New Housemate but the floppy plastic envelope looked oddly familiar. It was only a week since my interview in Sydney and I expected to wait two months. Was this a quick refusal or the long-awaited ticket to Europe? I opened it up… and I haven’t stopped smiling!
PS I really do need to move my paintings. Stay tuned.
Looking for an apparently non-existant office supplies outlet in the lunchtime rush-hour is a surreal moment when there’s a visa application to complete. It was already ten past noon and I still needed more documents downloaded and copied. The shop was no-where in sight so I needed to find my bank. It was blocks away but at least certain to deliver what I needed. The visa officer had kindly frozen my paperwork until 12.20 when the office would close. I couldn’t freeze now, this was my last chance to complete the task or wait for another month until the next available appointment. Adrenalin kicked in.
It was 12.18 when I slid the documents under the plate glass window. The officer smiled at my dishevelled appearance and added the papers to the pile. I’m still not sure how I managed to run those city blocks, get my statements printed, stamped and signed before reaching the office two minutes before closing time. Note to self: climbing the bureaucracy tree was a high but really, I’d rather be in a forest.
My resolve didn’t waver. I want to get back to Europe, in spite of the ocean paradise I’ll leave behind in Australia.
It was now 11.55am and the consulat general’s office closed at 12.20. I wasn’t about to wait another month for a new appointment so I firmly grasped the paperwork and rushed out the door with directions to find a Justice of the Peace and an office supply outlet. The elevator plummeted 26 floors to ground zero.
By the time I reached the pharmacy, it was was close to 12 noon. This lead turned out to be futile but the woman kindly suggested that I might find a JP in the tall building with the revolving doors. So I retraced my steps. I found a chartered accountant on the fifteenth floor. He was busy but I wasn’t deterred. Pleading has it’s place. By 12.05 I was out of there and hit the pavement running. I still needed updated bank statements. I had fifteen minutes left.
One drip at a time. Will it all fall into place?
I am the muse, the photographer.and the scribe.
Which came first? A reasonable question.
The answer remains mysterious.
Ethereal as the twisted trees in a silent forest.
Shadowy as a room painted with sunlight.
Fluid as a heartbeat felt beneath my naked breast.
I’ve been working on this project for a couple of years now and excited about it’s birth into the world!
Nothing is too deep, too difficult, too impenetrable. Well that’s what I’m telling myself as I apply for the artists’ visa in France.
Thanks for the photo Tia Fereti
And here I find Paradise, nesting as omnipotent eyes in a fugitive’s crown. I am one with the Goddess for she dances regardless of time grasping beneath her feet.
The sun flails my flesh with his ardor. I know nothing of time. I balance between two worlds, willingly giving myself to the salt on his breath.